To improve voice control, driven singers should faithfully practice strengthening their vocal technique. This implies perfecting the middle range of the voice. All singers possess a “breaking point,” which is a range of notes that lie within the chest voice and head voice. To get rid of the croakiness and reduction in quality of sound in hitting certain notes, driven singers should practice transitioning between vocal ranges. Consistent training is key to retaining a high quality sound between the high and low ranges.
In the earlier post on vocal resonance, you’ve been taught the concept that sound is generated when oxygen traverses via the vocal cords and bounces along the hallow spaces in the body. The surfaces inside the throat and mouth that sounds bounce off of are called the “placement.” A high level vocal approach to enhance the quality of your sound involves the manipulation and rearrangement of the surfaces in the voice box to create a superior quality sound.
Two supports that singers need to possess keen awareness of influencing are the soft palette and hard palette within the mouth. The soft palette is the soft tissue located in the back of the throat. You may feel this tissue when you curl your tongue to the rear of your mouth. The hard palette is a skeletal like structure situated at the front of the mouth. It includes the top of your mouth above the tongue.
Commonly vocalists will attempt to bounce sound waves off of the soft palette, creating a hollower, deeper sound. But aiming the voice to your hard palette can certainly help amplify sound and will reduce any muffling that happens when sound waves are bounced off of the tissue inside the soft palette.
So that you can practice the manipulation of space inside your mouth, practice the subsequent voice exercise for better vocal technique. Breathe deeply. Choose a comfortable range and sing the alphabet from A - Z teeth clenched together. Repeat the exercise alphabet, only this time with your teeth slightly apart. Perform the alphabet with the jaw retracted. Sing the alphabet with your jaw pulled back as much as possible. Sing the alphabet with your chin raised as high as possible. Sing the alphabet together with your chin moved as forward as you possibly can
You ought to recognize that the sounds created by your voice box became distinct with each part of the exercise. Such as, raising the chin should shut down the rear of the throat and this can minimize your ability to reach higher notes. Singing with clenched teeth reduces projection of sound. Practice this list of exercises diligently and you may soon learn that best setting of your soft and hard palette for top quality sound.
To learn more about vocal technique and sound placement check out this site dedicated to vocal exercises.
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